In the end I find the overall question of imitation and theft interesting but as odd as trying to determine why water is wet. The verse practised by Massinger is a different verse from that of his predecessors; but it is not a development based on, or resulting from, a new way of feeling. Perhaps his greatest work was a poem entitled, The Waste Land, which was a haunting statement of his disillusionment with the post-war era. Massinger had not the personality to create great farce, and he was too serious to invent trivial farce. And, indeed, with the end of Chapman, Middleton, Webster, Tourneur, Donne we end a period when the intellect was immediately at the tips of the senses. And as in France, so in England, the more farcical comedy was the more serious.
There are only so many stories that can be told anyway - seven - or so I've always believed. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest. Had Massinger been a greater man, a man of more intellectual courage, the current of English literature immediately after him might have taken a different course. Now these are mature plays; and the Roman Actor from which we have drawn the two previous extracts is said to have been the preferred play of its author. I mean Picasso had a saying he said good artists copy great artists steal. So far, Samsung has been found in violation of 4 patents for most of the devices in question. The tendency of the romantic drama was toward a form which continued it in removing its more conspicuous vices, was toward a more severe external order.
There are detectors of plagiarism but with almost zero effect. दो तर्फे प्यार मे अक्सर हम स्वार्थी बन जाते है, आशाये रखना शुरु कर देते है और फिर होता है अपेक्षाभंग, दिल टुटना, दर्द, और बहुत सारा मेलोड्रामा! But such a nature was not at hand, and Massinger precedes, not another Shakespeare, but Milton. I came from his Nose. The verse of Shakespeare and the major Shakespearean dramatists is an innovation of this kind, a true mutation of species. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. One has to master what has gone before. Le but de lactivité propre de lhomme est de nettoyer sa personnalité, de la laver de toutes les souillures quy déposa léducation, de la dégager de toutes les empreintes quy laissèrent nos admirations adolescentes; and again: Flaubert incorporait toute sa sensibilité à ses uvres.
Going further there is considerable academic study as to the politics of plagiarism, and as to the psychology of childhood learning by which we learn to acquire the use of words. Fletcher had a cunning guess at feelings, and betrayed them; Massinger was unconscious and innocent. From this type of play, so eloquent of emotional disorder, there was no swing back of the pendulum. आखिर इसकी ग़लती क्या है? The two great followers of Shakespeare, Webster and Tourneur, in their mature work do not borrow from him; he is too close to them to be of use to them in this way. He is accordingly not simple, but a product of a certain civilization, and he is not wholly conscious. Massinger: Thou didst not borrow of Vice her indirect, Crooked, and abject means.
The poetic drama must have an emotional unity, let the emotion be whatever you like. But if we wish to consummate and refine this pleasure by understanding it, to distil the last drop of it, to press and press the essence of each author, to apply exact measurement to our own sensations, then we must compare; and we cannot compare without parcelling the threads of authorship and influence. Massinger is, in fact, at a further remove from Shakespeare than that other precursor of MiltonJohn Fletcher. Hors de ses livres, où il se transvasait goutte à goutte, jusquà la lie, Flaubert est fort peu intéressant. And we have named three of Massingers best. और जवाब आया — कोई और मदद कर देगा, तेरा कौन है भाई? Would you allow me to bring moisture to your parched lips that crave to be kissed? One of the greatest distinctions of several of his elder contemporarieswe name Middleton, Webster, Tourneuris a gift for combining, for fusing into a single phrase, two or more diverse impressions.
We may conclude directly from these quotations that Massingers feeling for language had outstripped his feeling for things; that his eye and his vocabulary were not in co-operation. Let the common sewer take it from distinction. We turn first to the parallel quotations from Massinger and Shakespeare collocated by Mr. But soon, like a dangling participle, self-doubt was creeping into his writing. They justify it as editorial parameters. Romantic drama tended, accordingly, toward what is sometimes called the typical, but which is not the truly typical; for the typical figure in a drama is always particularizedan individual. Nobody bothers about attribution here.
At least Eliot's Wasteland as edited by Pound has for a few decades been available with all of the markings. Of Shakespeare notably, of Jonson less, of Marlowe and of Keats to the term of life allowed him , one can say that they se transvasaient goutte à goutte; and in England, which has produced a prodigious number of men of genius and comparatively few works of art, there are not many writers of whom one can say it. In the earlier drama these conventions are merely a framework, or an alloy necessary for working the metal; the metal itself consisted of unique emotions resulting inevitably from the circumstances, resulting or inhering as inevitably as the properties of a chemical compound. But Luke Frugal just misses being almost the greatest of all hypocrites. His own university admits that his doctoral thesis, the very foundation of his career, was significantly plagiarized.
Dear Quote Investigator: The gifted entrepreneur Steve Jobs made some controversial comments about innovation during his career. The poetic drama might develop forms highly different from those of Greece or England, India or Japan. The intellect had perhaps exhausted the old conventions. We may interact more on the facebook. This is an age old ideas that one cannot take ideas from others. Cruickshank shows, borrows from Shakespeare a good deal.