The story begins in the studio of painter Basil Hallward, who is entertaining his old friend, the relentlessly philosophical Lord Henry Wotton. Dorian is giving him the news that he and Sibyl have become engaged. The elect are those who see only beauty in beautiful things. Henry realizes the error of Dorian's ways, but instead of pointing them out for the sake of his friend's well-being, he anticipates the fun he will have observing the repercussions. He himself would not see it. Dorian marvels at the science of the transformation he sees, how the brush strokes have not changed but the new attitude is so obvious.
As it had revealed to him his own body, so it would reveal to him his own soul. He would seek to dominate him - had already, indeed, half done so. What conclusions may be drawn from the differences? Oscar Wilde Biography was an Irish novelist, playwright, and poet, that was one of the most famous and appreciated writers in the 1890s. The two of them have become inseparable, as Dorian has become Basil's muse. In answering the question, be sure that you both support your own conclusion and argue why the other two characters do not fit the requirement as well as the one you chose. Oscar Wilde opposes this view of art.
He is an extremely popular socialite, admired for his fine taste and revered as a fashionable trend-setter. More important, Dorian inspires a fresh approach to art in Basil, allowing him to produce the best work of his professional life. One night, Basil visits Dorian to confront him about all of the terrible rumors he has heard. The coarse brawl, the loathsome den, the crude violence of disordered life, the very vileness of thief and outcast, were more vivid, in their intense actuality of impression, than all the gracious shapes of Art, the dreamy shadows of Song. He feels if others see the painting, then Basil's reputation as a great artist will be forever set in the minds of his contemporaries. With mixed , he offers his soul if he could only get the gift of staying forever young. He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead, or crawled around the heave, sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age.
Dorian's blossoming self-centeredness is a successful manifestation of Henry's influence. Basil offers to destroy the portrait, and Henry offers to keep it for himself, but Dorian has a fascination for it and decides he must have it. The next day, Henry visits his uncle, George Fermor, to seek information about Dorian Gray. Does Wilde emerge as an advocate of what Lord Henry calls the New Hedonism, or does the novel serve as a cautionary tale against it? He soon falls in love with a young actress, Sibyl Vane. Like Wilde himself, Lord Henry often speaks in aphorisms.
Anyway, he wants Dorian to come to the opera. He invites Henry and Basil to come see her act, and they agree. Before he goes, though, he asks one more question: why won't he exhibit Dorian's portrait? Enraged, James Vane begins to track down Dorian Gray. He keeps it safely hidden in the attic. I worshiped you too much. I am going to alter. His obsession with aesthetics eventually led him in the direction of decadence in his personal life as well as in some of his writing.
As the conversation draws to a close, Gray himself arrives on the scene, and Henry demands to be introduced to him. He regrets saying Dorian's name the minute it slips past his lips. Discuss the extent to which this philosophy is followed in his novel The Picture of Dorian Gray. Dorian decides to show him the portrait so that he can see the true degradation of his soul, but when Basil sees it he is horrified, and urges his friend to repent for his sins. The bad kind of fascination that Dorian previously admitted to Henry draws them all to their most dangerous desires. Dorian removes the coverings from the hidden portrait, and Basil is horrified to see that the man in the painting has warped into a hideous, demon-like creature to reflect Dorian's multitude of sins.
Dorian, despairing of ever doing good again, decides to give up his life to dissipation and allow his portrait to suffer the consequences. Discord is to be forced to be in harmony with others. He suddenly found himself face to face with the handsome young man who scared him: it's Dorian Gray. He fears his picture will be discovered and his secret will be revealed. His unusual talents were evident at an early age, though it was also at an early age that his later proclivities were shaped - as a child, his mother loved to dress him like a little girl. He argues that Lord Henry couldn't possibly understand, since he's so faithless in his loves. Support your conclusion with details from the story.
He goes to the picture, that shows his dark life, and tries to stab it. The subject matter of art is the moral life of people, but moral art is art that is well formed. Dorian is overcome with relief, but cannot escape the fact that four deaths now weigh on his conscience. Basil's attraction to Dorian seems to be both professional and personal. He decides to share his secret with Basil and tells him he wants to show him his diary in order to put to rest the rumors.
Dorian only actually begins to take the spotlight once his corruption is underway. Support your argument with details from the book. Basil warns Henry that he is not to damage Dorian. While the reader must always take care in accepting Wilde's comments at face value, he was like Basil in that he was a creative artist and privately perhaps less secure than his public image. The two men laughed at her and became friends with each other at once. Basil is an artist of apparently independent means. With the use of the portrait and mirror, these items help with the character development of Dorian Gray.